Make sure "Device is online" is checked. Launch Audio MIDI Setup (from the Lockstep application menu, or under /Applications/Utilities). Setting up an IAC bus takes a few steps in OS X's Audio MIDI Setup application, but this only needs to be done once. Instead, you need to use a more persistent connection, such as an IAC bus, to route MTC from Lockstep to Pro Tools. Pro Tools is a special case among MTC-enabled sequencer and DAW applications, in that it will not read MTC from a virtual output (which appears only while Lockstep is running). SYNCHRONIZE PRO X TUTORIAL MANUAL
Handy Guide From Lockstep User Manual For Setting Up MTC Of course, the principles shown in this article will work with any application that allows audio to be placed on a timeline, these will also sync with Pro Tools using this method.
Export the audio files you want to use in Pro Tools, for example, all the temp dialogue tracks, these audio files will form the basic audio of your Pro Tools mix.Īll the other steps of the process are shown in the short video tutorial above. However, it does mean that even if the cut changes the channels in Pro Tools will already have the plug-ins and mix set. Get at least a close to final lock on the picture edit, it's not the end of the world if you don't but it can prove tiresome later if you have to export a new piece of audio. It may not be a workflow that suits you, but for some, it may be just what they are looking for. 
This third approach locks Pro Tools in sync with Final Cut Pro X and then allows you to work on sound in Pro Tools and then bounce the final audio mix out for export from Final Cut. We reviewed X2Pro Audio Convertīoth options offer some kind of solution, although the audio round trips make any of the above approaches a little tiresome, take it from someone who does this all the time.
Use the X2Pro Audio Convert application to create an XML file and then an AAF file to import into Pro Tools, and then edit, mix and bounce for Final Cut. 
Create full-length audio stems and drag them into Pro Tools, edit, mix and then send them back to Final Cut Pro as a stereo or surround mix. This is not an article to debate the pros and cons of the Final Cut audio workflow but to offer those who want to cut video in Final Cut but mix the audio in Pro Tools a way to sync Final Cut Pro X with Avid Pro Tools.Ĭurrently, the two most likely approaches to getting sound to and from Pro Tools is However, this means that when it comes to Final Cut Pro X working with other applications it can be a challenge.įor those who are used to working in DAWs like Pro Tools then Apple's idiosyncratic approach to audio in Final Cut can feel limiting, especially when one wants to do things like duck audio, for example. It has been designed to offer a self-contained eco-system for edit, grade and sound. Final Cut Pro is one of the top video editing apps with lots of great features.
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